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Hip Hop Ringtones

Check this article from NY Times regarding Jay-Z’s latest album, “American Gangster”.

For Jay-Z, Inspiration Arrives in a Movie

If you haven’t heard the first single, “Blue Magic” featuring Pharrell, download it here:
http://www.zshare.net/audio/3762911820e721/

Song is pretty dope, but the annoying bomb’s flex drops make it a little difficult to hear everything, I’m going to hold of judgment until I hear the full version. So far, track is Rakim inspired and Pharrel does his best 80’s sounding beat with 2007 technology. Best line: “they tryin’ bring the 80’s back, I’m cool with that, I was made from that”.

Also check out this deal for 500 free songs from Itunes (only for U.S residents). It’s good to stock up on some hard to find music, not to mention legal downloads that support the artist. Plus, Itunes makes it easier to find the damn song anyway.

Rumour is Jay-Z will be dropping a new album November 6 titled “American Gangster”. His first single is produced by Pharrell (what happened to that flip kid?) and is titled “blue magic”. More details to follow!

ps. this is big.

Remember the first time you heard a Fifty track? And no, It better not have been “In tha Club”. For those that followed the New York mixtape circuit in the late 90’s, you’ll know just what I’m talking about. This is a time when you had rappers like Canibus, Noreaga, Jay-Z and even Jadakiss making serious moves toward the thrown. Come to think of it, this period in rap was the last hooray of the NY scene as this period marked the last time anyone would check for the next NY artist to blow. A mist all these new comers came 50 Cent.

When Fifty first came out he was the antithesis to Jay-Z, who had just gone mainstream with Volume 2 going five times platinum. Him positioning himself in this way, helped him market himself to the new tastemakers and trendsetters that saw Jay-Z as being “played out”. In fact, Fifty took many brazen jabs at Jigga right from the start on his infamous “How to Rob” to his down right hood classic “Be A Gentleman”.


This style Fifty was on was what got heads interested, he had the lyrical wit of Jay and the charisma of Mase. It was almost guaranteed that Fifty would be the next big thing in hip-hop. He had so many hood classics, it wasn’t even funny. Check “Life’s on the Line” where Fifty goes at Ja Rule for the first time and the infamous “Ghetto Qu’ran” where Fifty allegedly “dry snitches” on his neighborhood peers.

Then reality happened. Well, you know what happened. Fifty was shot nine times. The feeling during that time was that no one still really knew who Fifty was, keep in mind this was before the internet blew and Fifty had not put out any material for a while so it was like he dropped off the map. It’s similar to the Stack Bundlez situation, a great artist comes out on the mixtape scene and then you don’t hear about them for a while and then out of nowhere you hear they have been the victim of a shooting. I was disappointed that Fifty was shot, cause of the possibility he may pass and not be able to see his true potential play out. This is when most people stopped checking for Fifty.

Then a year later, Fifty re-emerges with a new “Tupac” esque attitude and a Southern drawl. I was like the WTF happened to this dude. This is when Fifty dropped his best record ever “You Not Like Me” and everything changed.

Fifty rhymed, “Since my last shootout I got a dimple on my face, its nothing, I can go after Mase fan base,” and so he did. This is likely where most of yall were first introduced to Fifty when he started really working the mixtape scene with the “50 Cent is the Future” mixtapes and the introduction of G-Unit. He was still witty, but he had turned down his lyrical prowess a few notches and began to really dumb down his lyrics for mass consumption.

As the story goes this is when Eminem contacted him and the rest is history. Fifty went on to create the biggest song of his career and likely of the decade; “In tha Club” which took him from an unknown New York rapper on the verge of death to the top of the charts and unimaginable riches. His first official album, “Get Rich or Die Tryen’” was seen by the same tastemakers and trendsetters who backed Fifty early on as now being played out. In all fairness, that album still held true to Fifty’s witty style backed with a Mase-like flow though now Fifty had a Southern drawl.

Fifty really changed musically on his 2nd album, “The Massacre” with his hit song “Candy Shop”.

The first time I heard “Candy Shop” I was in total disgust. Fifty didn’t sound like Fifty anymore, he sounded way more raspier, more lazier, and had lost all the wit he once had. Candy Shop was a big record no doubt, but the song is good in a “one-hit wonder” way (like Huricane Chris “Ay Bay Bay”, Fifty had been regarded as the type of artist that didn’t have to go into this space for a hit. In fact, “The Massacre” although still a good album, presented a new dumb down Fifty with a very raspy voice delivered with a fatigued flow. Check “Just a Little Bit”.

With Fifty’s third album, “Curtis”, Fifty has put out his worst material to date. Where in “The Massacre” Fifty still showed he had some ounce of ambition left in him with tracks like “In My Hood”, “This is 50″, “Get in My Car” and “Ryder Music”, there is absolutely nothing on “Curtis” that Fifty fans new or old can bang out too. (For a complete review of 50 Cent’s “Curtis” check out the review here). No, today Fifty has got rich and stopped tryin’. This has been the evolution of 50 Cent.

For those unfamiliar with Mistah Fab he is from Oakland, California, and is part of the Hyphy movement going on there, you know that whole “ghostride the whip” thing and just generally going all silly with the dancen’. Here is a video from him:

Okay, he seems like a pretty zany dude to do a song like that. Don’t think he’s into that East Coast battle rap shit? Going against Royce the 5′9 whose like an ultra geek, but nonetheless regarded as underground backpack hero, you would think Royce would crush this dude. Check this out:

Even though its a little obvious Mistah Fab’s been watching his Smack DVD’s regularly by sounding like Murder Mook and Loaded Lux, he nonetheless bodies Royce. Ugly.

Have you ever been listening to a rap song and wonder why all of a sudden one line usually after four bars in a verse will sound slightly different than the next four bars and so on? This difference you are hearing is called the “timbre” as it is the change in the rapper’s voice from a “tired” voice to a “fresh” voice. This change occurs because the majority of rappers record their vocals using a technique know as “punch’n”. This means they will only record four bars of their rap at a time so that they will always have a “fresh” voice as opposed to a “tired” voice as most rappers would sound raspy and tired by the time they recorded a whole sixteen bar verse. Some rapper’s with very complicated rhyme patterns may even “punch’n” certain lines, for example, when T.I. uses his “mad as hell” flow where he sounds like the cookie monster he will “punch’n” what sounds like almost every line! Why do rapper’s do this?

The main reason for this is “breath control” or lack thereof and secondly a “lazyness” on the part of the rapper to properly structure their rhymes for adequate breathing. One of the worst breath controllers in rap music is Kanye West. His first album, “The College Dropout” is littered with breath control issues and has the most obvious “punch’ns” ever heard. Take the track “Jesus Walks” an otherwise great track topically, but vocally, the punch’ns are almost at every other bar:

Verse 1

You know what the Midwest is?
Young & Restless
Where restless Niggaz might snatch your necklace
And next these Niggaz might jack your Lexus
Somebody tell these Niggaz who Kanye West is
I walk through the valley of Chi where death is
(punch’n)
Top floor the view alone will leave you breathless Uhhhh!
Try to catch it Uhhhh! It’s kinda hard hard
Getting choked by the detectives yeah yeah now check the method
(punch’n)
They be asking us questions, harass and arrest us
Saying “we eat pieces of shit like you for breakfast”
Huh? Yall eat pieces of shit? What’s the basis?
We ain’t going nowhere but got suits and cases
(punch’n)
A trunk full of coke rental car from Avis
(punch’n)
My momma used to say only Jesus can save us
(punch’n)
Well momma I know I act a fool
But I’ll be gone til November I got packs to move I Hope

You can even hear Kanye gasping for breath by the end of each line before the punch’n as if his vocal “cadence” is going to fuck up at any moment. I think Ye is aware of this problem as on his current disc “Graduation” he fails to “fully” rap, in fact most of the time, he just says a line takes an annoying ass pause and then says the accompanying rhyme. Take “Can’t Tell Me Nothing”:

Verse 1

I had a dream I could buy my way to heaven
When I awoke I spent that on a necklace
(breathing)
I told God I’d be back in a second
Man, it’s so hard not to act reckless
(breathing)
To whom much is given, much is tested
Get arrested, guess until he get the message
(breathing)
I feel the pressure, under more scrutiny
And what’d I do? Act more stupidly
(breathing)
Bought more jewelry, More Louis V.
My mama couldn’t get through to me
(breathing)
The drama, people suing me
I’m on T.V. talking like it’s just you and me
(breathing)
I’m just saying how I feel man
I ain’t one of the Cosby’s, I ain’t go to Hillman
(breathing)
I guess the money should’ve changed them
(breathing)
I guess I should’ve forgot where I came from

This is why you probably feel sleepy listening to this song and other records on “Graduation” as Kanye’s inability to manage his breath control leaves the listener’s ear fatigued from having to pause every line. I think Kanye’s problem is that he really does adore Jay-Z like Fifty said. LOL. Not only in a big brother sorta way, but because Jay-Z is one of the best breath controllers in Rap history period. His breath control abilities are likely largely attributed to his beginning’s as a “fast” rapper and former member of the now defunct Fuschnikens (not true, don’t write me).

See with Kanye recently saying “he’s the best rapper” right now, it really makes heads in the know scratch their head because Ye has the worst breath control in the game ever. To be considered “the best” in the same vein as a Rakim, Jay-Z, Tupac, Biggie, (dare I say Lil’ Wayne?) is the ability to have pleasing breath control so that listeners can sing along. What most of you sucka mcees reading this lack is breath control. After all this is music, something that is sonically felt by the ears, the image and hype is all MTV if you know what I mean. Now go tighten up that flow foo!

Ah my god, this is the song of ‘07. Too many lines man. Fifty does his thing, Diddy goes hard, and Jigga oh my god, “I’m already the goat, next stops a billy”. OMG. “im killen the roof (woof) like micheal vick”. OH LORD.

Download the full version right here. Remember where you heard it first suckas!

50 Cent feat. Diddy & Jay-Z -I Get Money (Forbes 1,2,3 remix)

Review: 4 out of 5

Best Song: Rocky Road

Kanye and 50 Cent are not the only ones dropping albums this month. Releasing his third album as well, Chamillionaire returns with “Ultimate Victory”. After his hit single “Ridin’” took off, Chammilionaire’s whole style has been repackaged as a cross between 50 Cent’s bravado and catchy hooks and Public Enemy’s lyrical consciousness. The majority of East Coast heads think Cham is just another Southern rapper in the same vein as a “Lil’ Flip”. However, behind the catchy hooks, well timed rhyme patterns and distinctive Texas twang, Chamillionaire goes where not many rappers have ventured. He’s socially conscious of the black struggle as well as his own trials throughout his music without sounding like a dork. Not to mention his swag is on heavy here, all backed by his best production to date produces an above average album. His ex-partner in rhyme, Paul Wall, musically stands still while Cham continues to elevate his craft. Check out the track by track breakdown foos!

Read more »

For those of you that can’t wait till tomorrow check out this exclusive snippet of the I Get Money (Forbes Remix) featuring 50 Cent, Jay-Z, and Diddy. Remember where you heard it first.

50 Cent feat. Jay-Z & Diddy -I Get Money (Forbes Remix)

Preview the Ol’ Dirty Bastard movie trailer here. (Sorry I couldn’t make this link viewable).

www.dailymotion.com/video/x2oecx_odb-trailer_ads